Problem with loading Nikon D3100/D3200 H.264 MOV files to FCP 6/7

This article offers a brief guide about how to transcode and transfer Nikon D3100/D3200 H.264 MOV footages to Mac editing program in FCP 6/7.

Qusstion:

I am using the older FCP 6.0.6 with a new Nikon D3200 DSLR that shoots "MOV" files.  I can't seem to find "settings" that enable "copying," "importing" "log and caputure," whatever process. FCP crashes every time I try to get the files. FYI:  I am shooting in 1920x1080 at 24p and mostly trying the Apple ProRes 422 (HQ) setting, but have tried DVCPRO also. Anybody got suggestions about what I need to do?

• From: https://discussions.apple.com/thread/4979891 

Best Answer:

You need to convert the native format that camera shoots Before you import. There is no plugin that allows FCP 6/7 to deal with that tapeless format, like it does with Canon DSLRs via Log and Transfer. You'll need to convert the H.264 mov files to ProRes 422(HQ), then import those files into FCP .

As a Nikon D3200 user, you may also have this question. Nikon D3200 shoot videos in h.264 mov format. Except D3200, most Nikon D series camcorders record videos with this format, like Nikon D800, Nikon D4, Nikon D3100, Nikon D3200, Nikon D5100,etc. As far as i know, h.264 is the maximum compression ratio codec. On one hand, it will give us resonable video size, on the other hand, it's not suitable for editing by most editing software. Final Cut Pro 6/7 also included.

To solve the importing problem loading Nikon D3100/D3200 H.264 MOV files in FCP 6/7, you’d better choice to convert Nikon H.264 MOV to ProRes 422 codec MOV format, then you can edit video well in FCP 6/7 on Mac.

Check out Pavtube HD Video Converter for Mac, a top H.264 MOV to ProRes MOV Converter. It supports transcoding all Nikon 1080p MOV files to Apple ProRes so that you can easily import the Nikon D3100/D3200 h.264 recordings to Final Cut Pro X, Final Cut Pro 6, Final Cut Pro 7 for editing on Mac (Mountain Lion and Mavericks 10.9 included). Plus, it also supports converting H.264 MOV to iMovie, FCE, Adobe, Avid and more.


Free Download and install the top Nikon H.264 Video Converter and follow the steps below to convert Nikon D3100/D3200 MOV to Final Cut Pro 6/7.

1. Transfer h.264 encoded .mov files from Nikon D3100/D3200 camera to your Mac HDD via USB cable. Run Pavtube HD Video Converter for Mac, click “Add video” to load the Nikon DSLR recorded MOV video or directly drag the files to this Mac HD Video Converter.




Tips: If you have multiple MOV clips, you can select the “Merge into one file” box to merge your multiple MOV files into one file.

2. Click “Format” bar and choose “Final Cut Pro -> Apple ProRes 422 HQ (*.mov)” as export format.



The Apple ProRes 422 (HQ) codec offers the utmost possible quality for 4:2:2 or 4:2:0 sources (without an alpha channel) and provides the following:

• Target data rate of approximately 220 Mbps (1920 x 1080 at 60i)
• Higher quality than Apple ProRes 422

Of course, Apple ProRes 422, Apple ProRes 422 LT, Apple ProRes 422 Proxy, Apple ProRes 4444, etc are all the proper format.

Learn more Apple ProRes, please refer to Types of Apple ProRes Codecs

3. Click the “Settings” button and customize proper video/audio parameters if necessary. Video size, bitrate and frame rate are flexible and can be adjusted as you like. E.g. Set video size to 1920*1080 when you feel like to keep 1080p as the source file features.

Before start the conversion, edit function is useful and convenient for you to use. You can deinterlace, trim, crop, adjust effects or add watermark to the video.



4. Click “Convert” button and transcode Nikon D3100/D3200 H.264 MOV to Apple ProRes MOV for using in Final Cut Pro 6/7 on Mac.

Once the conversion is finished, you can click “Open” button to get the output files effortlessly. Now you have got it right and them import the Apple ProRes .mov videos to FCP 6/7 for editing. Launch the Final Cut Pro, choose from File menu > Import > Files…

Read more:

Get iMovie/FCE to recognize or import Nikon D4 mov
Lossless edit best DSLR Cameras H.264 HD clips in FCP X
Compatibility of Nikon mov files with Mac

Cyber Monday 2013 Sales- Share your sports photos, Get 50% off Pavtube products

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Enable iPad Air, iPad Mini 2, iPad Mini to play HD Videos on Mac

Want to play MKV, VOB, Divx AVI, Tivo, WMV, MTS, MXF, M2TS, FLV, F4V, 3GP, M4V on iPad Air, iPad Mini 2, iPad Mini? Follow the guide convert all kinds of HD videos to iPad series supported video format before transferring on Mac.

The iPad Mini's ultrathin and light design is far more intimate and booklike than the larger iPad, and its cameras, storage capacities, optional LTE antenna, and general functionality offer a full iPad experience. The screen's dimensions elegantly display larger-format magazines and apps. Andt the iPad Air and iPad mini 2 with Retina Display were announced on Tuesday, October 22, and the new tablets are pretty much a reflection of Apple's quest for perfection.

From HD movies, TV shows to music video, the high-resolution display of iPad Air, iPad Mini 2, iPad Mini will give you perfect visual perception. However, you should also be aware that, iPad series only support limited video formats like .m4v, .mp4, .mov, MPEG-4, H.264, M-JPEG, etc, you can't play MKV, VOB, Divx AVI, Tivo, WMV, MTS, MXF, M2TS, FLV, F4V, 3GP, etc. HD videos on iPad Air, iPad Mini 2, iPad Mini directly. Well, to play MKV, VOB, MPG, Tivo, MTS, FLV/F4v on iPad Series, the easy way to convert HD video to iPad Series compatible MP4 format using iPad Video Converter software before dragging them into iTunes.

Here Pavtube iPad Series Video Converter for Mac is your best choice. It has easy quick interface, and great final file quality. (Windows users: iPad Series Video Converter .)

Fistly download it and now you can follow the easy steps below to convert HD Videos to iPad Air, iPad Mini 2, iPad Mini support format on Mac for playback.

Step 1. Load HD Video files.

After downloading, install and run the Mac iPad Video Converter on your Mac, then click "Add videos" or "Add from folder" to import your source videos. Pavtube Video Converter for Mac support batch conversion.



Note: when load tivo file to Pavtube Video Converter for Mac, The program will ask you to enter you Media Access Key, Do as the program requires, and then click ok to continue.



2. Choose H.264(*.mp4) as iPad Air, iPad Mini 2, iPad Mini most compatible format.

Click "Format" bar and you can easily find the optimized videos for iPad Series.

For iPad Air, choose " iPad > iPad HD Video(*.mp4)".

For iPad Mini 2, iPad Mini, select "iPad Mini HD Video(*.mp4)".



Tip: If you like, you can click "Settings" to change the video encoder, resolution, frame rate, etc. as you wish. According to my experience, the file size and video quality is based more on bitrate than resolution which means bitrate higher results in big file size, and lower visible quality loss, and vice versa.

For watching HD videos on iPad Air, iPad Mini 2, iPad Mini, 720p with 2000~2500kbps is just all right. When the above mentioned steps finished you can click the big red "Convert" to start converting MKV, AVI, VOB, MPG, Tivo, WMV, MTS, M4V, FLV/F4V to iPad Air, iPad Mini 2, iPad Mini MP4 at fast speed on Mac.

Note: Before the conversion, you can edit your videos by trimming, cropping, adding watermarks, inserting subtitles and more to get the exact effect and feel you want. (Click the "Edit" button to open the video editing window, where you can perform the operations.)

After the conversion, click "Open output folder" in conversion window or "Open" in main interface to get the generated mp4 files and transfer them to your iPad Air, iPad Mini 2, iPad Mini for joy. Enjoy!

To enjoy all the HD videos, Blu-ray movies and DVDs on your  iPad Air, iPad Mini 2, iPad Mini, a professional all-in-one program is the key. iMedia Converter Mac is highly recommended here with its easy, clear and impressive features. If you are running a Windows computer, Pavtube Video Converter Ultimate is the definite option. (Both are 20% off now)

Related Articles:

Transfer Blu-ray movies to iPad Air
Convert MKV on iPad Air,iPad 3 and new iPad 3 on Mac
Convert DVD to iPad Air, iPad Mini 2, iPad 4 on Mavericks

Convert 5D Mark III h.264 footage to ProRes 422 for FCP 7

In this guide, you will learn how to convert Canon EOS 5D Mark III mov to Apple ProRes on Mac OS X so that you can smoothly import/edit 5D Mark III videos in Final Cut Pro 7 without rendering time.

As the latest in its enthusiast full-frame 5D series and successor to the popular EOS 5D Mark II, Canon EOS 5D Mark III has been tested to be a great camcorder by a number of truly brilliant photographers across the globe who prefer to use it daily in all sorts of disciplines and locations, and attracted much attention even since it has not came out to the market. Based around a 22MP full-frame sensor, it can shoot 6 frames per second and features a 61-point AF system much like the 5D Mark III. It can capture 1080p movies at 24, 25 or 30 fps and offers high quality intraframe (All-I) video compression amongst a host of movie-related improvements.



Everything is good but the only problem, as many Canon DSLRs users may have, is the incompatibility which will jump out when you want to ingest Canon EOS 5D Mark III 1080p MOV files to Final Cut Pro 7 for editing on Mac. They will hit a snag in the form of a “contains unsupported media… invalid directory” error. You can import your files with Log and Transfer but you have to back up the ENTIRE CARD STRUCTURE from the beginning.

Obviously, what matters is not the MOV fomat, since it is fine while playing with QT player on Mac, but the H.264 codec. It is a highly compressed codec, great for playing/streaming videos. But as for editing H.264 MOV in FCP, it is not such a suitable choice. In order to make Canon 5D Mark III footages editable in FCP 7, you have to convert H.264 MOV to ProRes 422, the codec which is proved to be the most compatible one with FCP 7.

You are provided with five options, including Apple ProRes 422 HQ (*.mov), Apple ProRes 422 (*.mov), Apple ProRes 422 (LT) (*.mov), Apple ProRes 422 (Proxy) (*.mov) and ProRes 4444 (*.mov). Here listed the main difference of the five ProRes codecs.

a. ProRes 422 (HQ): offers the utmost possible quality for 4:2:2 or 4:2:0 sources and provides target data rate of approximately 220 Mbps and higher quality than Apple ProRes 422;

b. ProRes 422: provides target data rate of approximately 145 Mbps and higher quality than Apple ProRes 422 (LT);

c. ProRes 422 (LT): provides roughly 70 percent of the data rate of Apple ProRes 422 (thus, smaller file sizes than Apple ProRes 422) and higher quality than ProRes 422 (Proxy);

d. ProRes 422 (Proxy): provides roughly 30 percent of the data rate of Apple ProRes 422 and high-quality offline editing at the original frame size, frame rate, and aspect ratio;

e. ProRes 4444: offers the utmost possible quality for 4:4:4 sources and roughly 50 percent higher than the data rate of Apple ProRes 422 (HQ).

A top Video Converter for Canon 5DM3 and FCP 7 users should be developed with all the five options. Here recommended the best H.264 MOV to ProRes Converter for Mac in that it is not only capable of converting H.264 MOV files to Apple ProRes codecs, all 5 ProRes codecs included, but also able to rip your BD/DVD disc for editing.

What's more, you can make your work easier with some useful editing functions, including joining imported clips together for easy importing, trimming section of your file, adding text/image/video watermarks to your original files, replacing audio tracks, etc. Follow the Three-step conversion and you are capable of importing/editing Canon EOS 5D Mark III files in Final Cut Pro 7.

Three-step Guide for transcoding Canon EOS 5D Mark III H.264 MOV to Apple ProRes for FCP 7

Step 1: Free download and run the best Mac Canon MOV to ProRes Converter for FCP, and drag Canon EOS 5D Mark III H.264 MOV files to the software.

Step 2: Select output format for Final Cut Pro. You are advised to choose “Apple ProRes 422 (*.mov)”or “Apple ProRes 422 HQ (*.mov)” format.

Due to the difference in the compresstion standard of AVCHD and ProRes 422, the converted files are significantly larger than the original ones. If you prefer smaller file size, please choose “Apple ProRes 422 (LT) (*.mov)” instead.

Since ProRes 422 (LT), ProRes 422 (Proxy), and ProRes 4444 have not been added to FCP 6, you’d better not set one of them as output if you happen to edit your H.264 files in FCP 6 before upgrading FCP 7.

Tips:

1. Settings- click to set video resolution(1920×1080/1440×1080/1280×720/720×480), bitrate（from 1Mbps to 20Mbps）, frame rate (24p/30p)

2. Editor (next to “Add” icon)- click to set deinterlace, denoise, mute, volume up, trim, crop, etc.

Step 3. Click the “Convert” button to start converting H.264 MOV files to Apple ProRes on Mac immedaitely.

After converting the Canon DSLR EOS MOV video to ProRes format, you can easily import/edit Canon EOS 5D Mark III MOV files in Final Cut Pro 7 smoothly on Mac.

When the conversion is completed, please run the FCP 7 and click File –> Import –> Files for editing Canon EOS M files in FCP 7 without any rendersing and quality loss.

Besides the ability to transfter the EOS 5D Mark II files to FCP 7, the versatile Canon Video Converter for Mac can help you ingest/edit H.264 MOV files into FCP X, iMovie, FCE, Adobe Premiere Pro, Adobe Premiere Elements, Adobe After Effects, Avid Media Composer, etc.

Hope you enjoy it!

Read Related Articles:

• MP4 to FCP ǀ AVCHD to FCP ǀ MOV to FCP ǀ H.265 to FCP
• MXF & FCP X Workflow: Help Importing MXF into FCP X
• How to Edit H.264 Natively with Final Cut Pro on Mac
• GoPro Hero 5 4K to FCP X - Importing GoPro Hero 5 4K footages to FCP X
• Converting Canon 5D Mark IV 4K videos to FCP X for smooth editing

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Best way to import Sony Alpha NEX-5T MTS to iMovie & FCE

This article teaches you how to easily convert and import Sony Alpha NEX-5T MTS footage into iMovie or Final Cut Express for further editing on Mac (OS X 10.9 Mavericks included).

Sony brought its NEX mirrorless camera series into the hybrid autofocus age, with the debut of the NEX-5R. Just ten months later, that camera gets a more modest refresh, with the arrival of the Sony NEX-5T.



Sony Alpha NEX-5T can record Full HD (1920 x 1080 pixel; 1080p/1080i) movies at a rate of either 60 frames per second, 24 frames per second, or 60 interlaced fields per second. (In some markets, the 60p/60i rates are replaced with 50p/50i rates, and the 24p rate with 25p.) You can also opt for lower-res 1440 x 1080 and 640 x 480 movies, with a fixed rate of 30p (25p on overseas models).

At the maximum resolution, movies are saved using AVCHD version 2.0 (MPEG-4 AVC / H.264) compression with AC-3 stereo Dolby Digital audio. At lower resolutions, movies are saved with MP4 compression and MPEG-4 AAC-LC stereo audio. Most users would like to make some editing with MTS footage from Sony Alpha NEX-5T, but problems came up as AVCHD is not a friendly format for editing in iMovie and FCE.

To solve the problem, you'd better transcode Sony NEX-5T AVCHD mts footages to AIC MOV for iMovie and FCE first. And here you need some third-party program to help. Pavtube MTS/M2TS Converter for Mac is an ideal choice for me. It works very well in the past months and also you can choose to output the video as 1080p or other size. It can convert Sony NEX-5T AVCHD MTS video to AIC codec .mov format, and then you can edit Sony Alpha NEX-5T MTS files natively in iMovie and FCE on Mac (OS X 10.9 Mavericks included).

Step 1. Free Download the Converter, install and run. And then import Sony NEX-5T recorded mts videos to the MTS to AIC converter.



PS: It's an excellent Sony AVCHD Converter for Mac which can also transcode MTS to an editable format like ProRes for FCP, AIC for iMovie/FCE, MPEG-2 for Adobe; to a playable format for putting on portable devices or uploading to YouTube.

Step 2. Click the format bar, and move mouse cursor to "iMovie and Final Cut Express > Apple Intermediate Codec(AIC) (*.mov)" as output format.



Step 3. Click convert button in the main interface to start transcoding Sony Alpha NEX-5T mts files to AIC fro editing in iMovie and FCE on mac.

Some more helpful features of the Sony MTS to AIC Converter:

1. Settings- click to set video resolution(1920×1080/1440×1080/1280×720/720×480), bitrate(from 1Mbps to 20Mbps), frame rate (24p/30p)

2. Editor (next to "Add" icon)- click to set deinterlace, denoise, mute, volume up, trim, crop, etc.

After the workflow, you can go to the output folder to find the converted video files. Now you are free to import/edit Sony Alpha NEX-5T AVCHD files in iMovie and FCE under Mac (OS X 10.9 Mavericks included) without problems.

See also:
Load Canon VIXIA HF S100 MTS to FCP X

Read More:

• How to Solve the freezes when importing MTS media to Premiere CC-2015.3?
• How to Convert MTS/M2TS with Handbrake Easily?
• Best Solution to Play Sony MTS/M2TS Files on MacBook Pro
• Play MTS on Smart TV (Windows and Mac Solutions)
• Top 5 MTS/M2TS Video Editors for Mac
• Top 5 MTS/M2TS Video Editors for Windows (10, 8.1, 8, 7, XP, etc)
• Fix Choppy Issues When Importing AVCHD Files to FCP
• Join and Convert MTS/M2TS Files for playing with VLC Player
• How to Convert 3D AVCHD MTS to 3D Tablet for Watching?

Transcode Canon EOS 70D H.264 MOV to ProRes 422 for FCP

The article shows you the best workaround for editing Canon EOS 70D videos in FCP by transcoding Canon H.264 .mov to FCP native editing format - Apple Prores 422 Codec.

I'm working on a feature on my mac, shot on Canon 70D, and am in the process of converting all my MOV files to manageable ProRes files. But I am unsure how to do this. Can someone give me a basic rundown of the procedure? I would be most appreciative.

This question is from one of my client, if you have used Canon 70D camera and recorded many 1080p videos, then how to ingest Canon 70D mov video into FCP for editing without crashing problem and avoid rendering?

In fact, MOV video format came from Canon 70D is a long GOP format that is highly compressed, which means it is not convenient for editing on Mac with Final Cut Pro. To import Canon EOS 70D 1080P video to Final Cut Pro for editing, the best way is to convert Canon EOS 70D 1080p HD MOV video to Final Cut Pro native Apple Prores .mov video on Mac.

Mac Canon h.264 MOV Converter is a professional HD video converter for you to easily convert Canon 70D 1080P video to Apple ProRes 422 so that you can easily import the Canon h.264 recordings to Final Cut Pro X, Final Cut Pro 6, Final Cut Pro 7 for editing on Mac. This will help you import the file correctly and saving the rendering time.

Below is a brief guide for you.

How to import Canon EOS 70D H.264 MOV footage to Final Cut Pro on Mac?

1. Free Download and run the best Canon H.264 MOV converter and drag 70D MOV files to the software.



2. Click format bar to choose output format for use in FCP 6/7 or FCP X. For editing Nikon MOV on Mac, you can choose Apple ProRes 422 for FCP.



Tips:

Here listed the main difference of the five ProRes codecs.

a. ProRes 422 (HQ): offers the utmost possible quality for 4:2:2 or 4:2:0 sources and provides target data rate of approximately 220 Mbps and higher quality than Apple ProRes 422;

b. ProRes 422: provides target data rate of approximately 145 Mbps and higher quality than Apple ProRes 422 (LT);

c. ProRes 422 (LT): provides roughly 70 percent of the data rate of Apple ProRes 422 (thus, smaller file sizes than Apple ProRes 422) and higher quality than ProRes 422 (Proxy);

d. ProRes 422 (Proxy): provides roughly 30 percent of the data rate of Apple ProRes 422 and high-quality offline editing at the original frame size, frame rate, and aspect ratio;

e. ProRes 4444: offers the utmost possible quality for 4:4:4 sources and roughly 50 percent higher than the data rate of Apple ProRes 422 (HQ).
Step 4. You can click “settings” to customize the output parameters, adjust the resolution, bitrate as you want.

Note 1: You are allowed to adjust output video and video parameters. However, if you have no idea about profile setting, keep it as original recordings will provide you the files with less quality loss, and keep default settings is also a good choice for your to get a high quality files.

Note 2: In order to get customized videos, you can add subtitles to your own videos.

3. Click convert button in the main interface to start converting Canon 70D H.264 MOV videos to Prores for FCP.

Some more helpful features of the app:

1. Settings- Click to adjust the output parameters, such as resolution, frame rate, etc, customize the parameters as you want.

2. Editor (next to "Add" icon)- click to set deinterlace, denoise, mute, volume up, trim, crop, etc.

After converting the MOV to ProRes format, you can easily import/edit Canon EOS 70D h.264 mov files in Final Cut Pro 6/7 or FCP X smoothly on Mac.

Tips:

1. Before you try to do the conversion, if you are also a FCP X user, please make sure that you have installed the Apple ProRes Codec manually since the FCP X asks users to install it by themselves.

2. This Mac Canon MOV Video Converter can convert mov video to Prores with retaining timecode for FCP.

Refer to the picture below to see how this cool mac H.264 converting tool keep the timecode for FCP. It is not difficult to find that the timecode is kept.



3. Pavtube HD Video Converter can also convert Canon 70D mov videos to iMovie and FCE, Premiere Pro, Avid Media Composer, DaVinci Resolve, Apple Aperture 3 and After Effects CS6 with good quality, just download the and have a try.

Read Related Articles:

• MP4 to FCP ǀ AVCHD to FCP ǀ MOV to FCP ǀ H.265 to FCP
• MXF & FCP X Workflow: Help Importing MXF into FCP X
• How to Edit H.264 Natively with Final Cut Pro on Mac
• GoPro Hero 5 4K to FCP X - Importing GoPro Hero 5 4K footages to FCP X
• Converting Canon 5D Mark IV 4K videos to FCP X for smooth editing